5″ x 7″ card, blank inside.
5″x 7″ Card: Beach Still Life #1
$5.00
Free Shipping
The photo that appears on this 5” x 7” card (blank inside) is from Catherine Lange’s series called “Still Lifes in Moving Places.” When selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, Lange create the series, photographing everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and her yard in Washburn deeply covered in snow. Lange says, “These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.”
Local Pick Up Available for Residents of 548 Zip Codes! Be sure to enter a local zip code as your "ship to" address & select the local pickup option on the check out screen. Each creative producer will contact you after your purchase to arrange for pick up.
Vendor Info
Vendor Information
- Store Name: Catherine Lange
- Vendor: Catherine Lange
- Address: Ashland, WI 54806
- No ratings found yet!
More Products
Madeline Island Long Sleeve Henley
Super comfortable, pull over long sleeve Madeline Island “MI” henley with buttons. Map of Madeline Island on back. Perfect for those late night summer bonfires or boat rides! Made of 100% brushed combed ringspun cotton.
Wool/ silk scarf
Point Twill Weave structure
Chana Masala Spice Mix
DESCRIPTION: VEGAN, Gluten free, Salt free, Indian Food Spices Beginner Seasoning set to make CHANA or CHOLE MASALA, a delicious VEGAN North Indian curry made with Chick peas / Garbanzo beans in a flavorful curry sauce of onions and tomatoes. Enjoy this delightful dish with Basmati rice or naan bread. Order 2, 3, or 4 flavor packs, which provide enough curry spices for 4-8 servings.
Product Enquiry
Product Enquiry
You may also like…
Canvas Print: Beach Still Life #1
Beach Still Life #1, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Related products
Canvas Print: Beach Still Life #2
Beach Still Life #2, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Beach Still Life #4
Beach Still Life #4, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Snow Still Life #3
Snow Still Life #3, Washburn, March 2014
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Beach Still Life #5
Beach Still Life #5, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Beach Off the Coal Dock, Washburn, Wisc.
The image in this canvas print also appears in Catherine Lange's book, "Why This Place."
After I moved to Washburn, Wisc., the idea for a photography project called "Why This Place" crystallized as I experienced the natural beauty in the Chequamegon Bay area and got to know people in the community. I asked 16 people to take me to their favorite places in nature, where I created photographic environmental portraits of them as well as landscape photos of those places.
The project, which resulted in an exhibit at the Washburn Cultural Center in 2014, was partially funded by a grant from the Chequamegon Bay Arts Council and the Wisconsin Arts Board with funds from the State of Wisconsin. In 2016, I designed and self-published a book, also called "Why This Place," containing the 71 photographs and 15 photo essays from the exhibit.
The book is available here on Authentic Superior.
Canvas Print: Woods Still Life #2
Woods Still Life #2, Copper Falls, October 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Corrigan’s Lookout, Saxon, Wisc., 2014
The image in this canvas print also appears in Catherine Lange's book, "Why This Place."
After I moved to Washburn, Wisc., the idea for a photography project called "Why This Place" crystallized as I experienced the natural beauty in the Chequamegon Bay area and got to know people in the community. I asked 16 people to take me to their favorite places in nature, where I created photographic environmental portraits of them as well as landscape photos of those places.
The project, which resulted in an exhibit at the Washburn Cultural Center in 2014, was partially funded by a grant from the Chequamegon Bay Arts Council and the Wisconsin Arts Board with funds from the State of Wisconsin. In 2016, I designed and self-published a book, also called "Why This Place," containing the 71 photographs and 15 photo essays from the exhibit.
The book is available here on Authentic Superior.
Canvas Print: Woods Still Life #1
Woods Still Life #1, Copper Falls, October 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.